Millennium (Reviews)

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Millennium feels destined to always be “the other Chris Carter show”, the younger and less successful sibling of The X-Files. The show had launched to considerable fanfare. Thanks to the cultural cache of Chris Carter and an impressive marketing

The X-Files (Reviews)

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I think The X-Files is very nineties, because everything is left in doubt. There’s no closure, no answers. … Obviously it’s tapping in to something the nation wants. I think it has to do with

Non-Review Review: The Predator

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The Predator adopts the as-ambitious-as-it-is-counter-productive of smirkingly mocking big budget franchise films while also actually being a big budget franchise film. Shane Black’s sequel to the beloved eighties actioner is jarring, caught between two masters. On the one

Non-Review Review: A Star is Born (2018)

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At one point in A Star is Born, Bobby Maine outlines his brother’s approach to music for the benefit of Ally. According to Bobby, Jackson believes that all music can be broken down to “twelve notes between

Maniac (Review)

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Maniac is Inception meets Cloud Atlas, filtered through a prism of eighties retrofuturism. That is to say that Maniac will not be for everybody. Indeed, there will be very many people for whom Maniac will simply not work, seeming too weird, too strange

ELEMENTAL (2023) REVIEW

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IN AND OUT OF THEIR ELEMENTS   It’s no big secret that Pixar Studios has become the premiere powerhouse animated studio for nearly the past twenty-five years; producing some of the more memorable and beloved

INDIANA JONES AND THE DIAL OF DESTINY (2023) REVIEW

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DIAL “M.A.” FOR MILDLY ADEQUATE   Archaeologist, historian, and adventurer are some of the characteristics that are commonly used when describing the fictional character of Indiana Jones. An icon in his own right and has

RUBY GILLMAN, TEENAGE KRAKEN (2023) REVIEW

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AN UNDERWHELMING AND FORGETTABLE ANIMATED FEATURE   DreamWorks Animation Studios has had their ups and downs in their releases, finding their cartoon endeavors of a mixed variety from the highest highs to the mediocre lows.

BARBIE (2023) REVIEW

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COME ON BARBIE, LET’S GO PARTY!   While the usage of translating bestselling novels into feature films is the more “commonplace” practice of moviemaking adapting, Hollywood has found a somewhat unique interest in find theatrical