Average Ratings:2.83/5
Score: 100% Positive
Reviews Counted:4
Positive:4
Negative :0
Neutral:0
From All the Top Indian Critics reviews on the web
Ratings:3/5 Review By: Neil Site: Times Of India
Nearly two decades since the big-screen adaptation of the popular TV franchise of the same name, director and writer Elizabeth Banks re-imagines Charlies Angels for a younger female audience. The tonality gets a major revamp gone is the sexist approach; this films women empowerment message is practically spelt out from the get-go. This also translates into how the characters relate to each other and materializes with girl power kicking butt throughout. The problem is that the action scenes arent too inventive or executed with the kind of finesse audiences are now used to. Additionally, the comedic elements dont work as well as the script intends, making for some awkward moments that fall flat.
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Ratings:2.5/5 Review By: Mihir Site: Firstpost
Of course, while it never congeals into a satisfying whole, the busy silliness just about pulls ahead of flatness in style and character development. To be perfectly honest I had expected worse, particularly after the terrible Oceans 8, but as a life long film fan had hoped for better which means Charlies Angels is at best or worst a mixed bag of a movie. Of course youre better off watching the amazing Steve McQueen film Widows, but if you like to see women kicking butt in a less realistic and far more glossy scenarios, this film might just be the one for you.
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Ratings:3/5 Review By: Shalini Site: Indian Express
When the world is at stake, it really doesnt need to be too complicated so as to ramp up the danger quotient. Thats the strength of this Charlies Angels reboot, in which women bond, women lead, women cry, women save, and women load their guns with tranquillisers, to keep the blood and gore limited, even as they save the world tracking down clues.
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Ratings:— Review By: Kenneth Site:Hindu
The only takeaway then circles back to its messaging. There are ample instances where men are egging the Angels on with misogynistic, patriarchal and patronising comments like, €œIt can be manufactured in pastel colours for ladies€ or €œIf women can, that does not mean they should€. The womens response, both verbally and physically, counter these agitations. The climax, without saying too much, is also symbolic of we no longer will take it lying down. But whats the point of the feminist overtones, when the film itself is unremarkable and highly likely to be consigned to oblivion?
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