How does an actor follow up the extraordinary Oscar-nominated success of Oppenheimer? If you’re Cillian Murphy, you go in the opposite direction in role and scale of film. Having played the necessarily talkative and erudite father
From a woman-turned-vampire in the Twilight saga to doomed Princess Diana in Spencer, via surgery enthusiast Timlin in David Cronenberg’s Crimes of the Future, Kristen Stewart’s career already has its share of fascinating roles. But now, she gives a
Director Denis Villeneuve brings the second half of his adaptation of Frank Herbert’s cult 1965 sci-fi novel to the big screen in truly spectacular fashion. Epic in scope and astonishing in its world-building, Dune: Part Two combines
In a rare interview with NME back in 2020, The Kid LAROI (real name Charlton Howard) declared his ambition to be “the Drake of Australia”. A new documentary on Prime Video chronicles how LAROI made that happen over the course of four years while
At many points during My Name is Loh Kiwan, it’s hard to feel hopeful. The titular character’s (played by Song Joong-ki) journey is one so mired in setbacks and shattering losses it feels like any flames
Japanese director Hirokazu Kore-eda brings warmth, humanity and understanding to this complex puzzle box story about troubled childhood and the perils of perspective. As such, it’s a beautifully constructed and emotionally engaging tale that’s constantly
Three years ago, Ghostbusters: Afterlife resuscitated this beloved ‘80s franchise after a slightly misguided 2016 reboot starring Melissa McCarthy. Instead of introducing a totally new crew of spook-nukers – the 2016 film’s fatal flaw – director Jason
“You can’t have a titan with a toothache,” quips Dan Stevens’ Trapper in Adam Wingard’s latest – and wildest – entry in the MonsterVerse franchise. Indeed you can’t. But when Kong bites down on his
“Ineed a break,” sighs Ryuichi Sakamoto between takes on Opus, his hauntingly beautiful final performance that’s been immortalised as a feature-length film. “This is tough – I’m pushing myself.” It’s the only sign throughout the Neo
Queer, the latest from director Luca Guadagnino and his Challengers scribe Justin Kuritzkes, is a rambling disappointment. The film is based on a short novel of the same name by Beat writer William S. Burroughs (though it also appears to